Ethel Junco de Calabrese: “Vínculo y destino: Thomas Mann lector de Cervantes”

Berta Guerrero Almagro: “La recuperación de la herencia europea para la comprensión de Venezuela: Shakespeare y Cervantes en la poesía de Ramos Sucre”

Nora Rodríguez Loro: “Anglo-Spanish Cultural and Literary Relations: The Case of Diana’s Dedication to the Lady Rich”

Leticia Álvarez Recio: “Translating Spanish Chivalric Books in Early Modern England: Thomas Shelton’s Don Quixote and Anthony Munday’s Publications”

Mark Hutchings: “Shakespeare’s Turks”

Pedro Álvarez Cifuentes: “Los Doze de Inglaterra: ¿Un caso de anglomanía en Luis de Camôes?”

Trevor Dadson: “Diego de Silva y Mendoza, conde de Salinas, e Inglaterra: una perspectiva desde Lisboa”

PANEL 1

PANEL 2

Tomas Monterrey: “Wagner for Shakespeare: Kasper Holten’s Production of Das Liebesverbot at Teatro Real in 2016”

Maurizio Calbi: “Where Is My Shakespeare”: Replaying the Bard in Abbas Kiarostami’s Where Is My Romeo (2007) and John Akomfrah’s The Nine Muses (2010)”

Linda McJannet: “Transferring Shipwreck into the Body: A Dance Adaptation of The Tempest””

 PANEL 1

Marta Revilla Rivas: “Lightening Books: Early Modern English Books at St Alban's College Library, Valladolid”

Juliana Nalerio: “Cervantes’ La Española Inglesa, La Vulnerata, and Valladolid at the Turn of the Century (16th- 17th)”

José A. Pérez Díez: “Gondomar y los comediantes: Diego Sarmiento de Acuña and his Theatrical Connections”

Jesús F. Pascual Molina: “Relaciones luctuosas: funerales regios anglohispanos en el siglo XVI”

Javier Burguillo: “Épica áurea antiaglicana: texto y contexto de la Historia del glorioso martirio de Edmundo Campiano”

David Amelang: “From Directions to Descriptions: Theatrical Paratext in Printed Plays as an Authorial Outlet”

JesúsTronch: “Indefinite Stage Directions and Speech Prefixes in Shakespeare and in Cervantes”

Rui Carvalho Homem: “‘Ghosts and Affections’: Heaney, Canon, and Shakespeare”

Miguel Ramalhete Gomes: “Shakespeare and the PIGS: Measure for Measure and Coriolanus Translated by Fernando Villas-Boas”

Christian Santana Hernández: “Shakespeare: creador de nuestro mundo de amor y locura”

Rosa Helena Chinchilla: “Islas de la imaginación en Cervantes y Shakespeare”

Juan Herrero Diéguez: “La huella de Cervantes en la carrera del vivir”

Elena Bandín Fuertes: “The Royal Shakespeare Company Arrives in Spain: Much Ado About Nothing (1984); Titus Andronicus (1989)”

Daniel M. Ambrona Carrasco: “Richard III on the Spanish Stage and its Reception (2005-2015)”

Paula Schintu Martínez: “The Gully-Hole of Literature": On the Enregisterment of Cant Language in 17th-century England”

Jesús Romero Barranco y Javier Calle Martín: “Past Tense Marking in Early Modern English: A Corpus-based Study”

José Manuel Barrio: “Las primeras referencias a la casa de Cervantes de Valladolid en los libros de viajeros ingleses y norteamericanos”

Beatriz y Fernando González Moreno: “Rambles in the Footsteps of Don Quixote: el viaje literario y pintoresco por H. D. Inglis”

Maria de Jesus Crespo Relvas: “Lear and Quijote, two Wanderers on Uneven Paths”

Susana Oliveira: “Marriage and Deceit in Shakespeare and Cervantes: All that Glitters is not Gold”

Jesús Romero Barranco: “Punctuation in Early Modern English Scientific Writing: Jane Jackson’s Recipes in London, Wellcome Library, MS 373”

Soluna Salles Bernal: “Vernacularisation of Scientific Texts in the Early Modern English Period: The Case of the Treatise on the Diseases of Women in Glasgow University Library, MS 303”

Lucía Benedet Fernández: “Shakespeare Survey & Co. Aplicación del contexto histórico y social estudiado por autores británicos del siglo XX en los estudios españoles sobre Shakespeare y coetáneos”

Nathalie Rivere de Carles: “‘Mere Ambassadors of the Imagination’ or ‘Real Ambassadors’: Feminine Diplomacy in Shakespeare’s and Cervantes’ Comedies”

Jordi Sánchez-Martí: “Reading Chivalric Romances in Early Modern England: The Case of the Iberian libros de caballerías”

Jorge Figueroa Dorrego: “Genre Shifting in Restoration Adaptations of The Curious Impertinent”

María Sánchez Pérez: “La Historia de Cardenio en judeoespañol”

Carla Della Gatta: “Translating Cervantes For the Stage: Puppetry, Prose, and Process”

Francisco Borge: “Pedro de Valdés and Post-Armada Rhetoric: An Emblem of Spanish Defeat and English Victory”

Juan Ramón Muñoz Sánchez: “Entre episodio y novela: Cervantes frente a su género preferido”

Blanca Santos de la Morena y Manuel Piqueras Flores: “El tratamiento de la religión en La española inglesa: una novela entre dos tierras”

Eugenio Cortés Ramírez: “In Search of the New Learning. Cultural Hegemony, Utopia and Ideology in Sir Thomas More, Miguel de Cervantes and William Shakespeare”

Neslihan Ekmekçioğlu: “Delusions of Grandeur, Madness and Intertextuality between Erasmus’s The Praise of Folly, Shakespeare's Hamlet and Twelfth Night and Cervantes's Don Quixote within the Context of Madness as Inversion"

Miriam Borham Puyal: “Literary Lady-Errants: How Don Quixote Became a Woman and Attempted to Change the World”

María Jesús Lorenzo Modia: “Cervantes' Aftermath: The Purbeck Sisters”

Ignacio Calle Albert: “La aparición musical en las obras dramáticas de Shakespeare”

Ana Aparecida Teixeira de Souza: “La discreción en la caracterización de la protagonista de la obra dramática La gran sultana de Cervantes”

Keith Gregor: “Shervantes; or, Reconstructing William and Miguel”

Elizabeth Jeffery: “From the Point of View of Text and Canon, What is ‘Shakespeare’?”

Eduardo Olid Guerrero: “The ‘Espanolized English’ and the ‘Anglicized Spanish’: Cervantes and Elizabeth I”

Claudia Mesa: “In Search of Elizabeth I: Visual Representations of the Virgin Queen in Early Modern Spanish Sources”

Jesús-David Jerez-Gómez: “La lira y la espada: el papel de la poesía ante el desastre de la Invencible”

María Ángeles Fernández Cifuentes: “Don Quijote en Manhattan: reflejos cervantinos en la filmografía de Woody Allen”

Margarita del Hoyo Ventura: “Violencia y responsabilidad: un acercamiento a Hamlet, dirigido por Calixto Bieito”

Noelia E. de la Torre Cantalapiedra: “Dos gigantes en pantalla grande. Las adaptaciones cinematográficas de las obras de Cervantes y Shakespeare”

Begoña Lasa: “British Perceptions and Representations of Queen Isabella of Castile during the Victorian Era: A Paragon of Feminine Virtue”

Alexander Samson: “Images of Elizabeth I in Early Modern Spain”

Susan L. Fischer: “Catherine of Aragon in Tudor History and on the Transnational Stage”

Cristina Mourón Figueroa: “Richard III: A History Play? William Shakespeare: A Tudor Propagandist?”

YL Mariela Wong: “That Arabic Story known as Don Quixote de la Mancha"

Jonathan P. A. Sell: “Through Quevedo’s Spectacles: Shakespeare’s Second Tetralogy from the Perspective of Política de Dios”